I stepped ahead of my daughter by reading this book and finished it before she has even had a chance to take a peek. An interesting text, I'm not sure she's going to like this novel as much as she enjoyed Graecling or Incarceron and Sapphique. Although there is intrique galore in this novel, this is a much more introspective text than Cashore's Fire or Graceling. As a sequel to Cashore's Fire and Graceling, this novel is much more esoteric than the two other texts in the series, and it is in large part due to this fact that I enjoyed Bitterblue more than its predecessors.. Three Things I Liked:
1. Language: So many ideas about language and communication abound in this text, from ciphers, the importance literacy, and (dis)possession of one's own thoughts. As a lover of language, the attention Cashore pays to the delights and limitations of language is quite a treat.
2. Memories and Trauma; If ever there were a text exploring memories and trauma, and the trauma of memory, this would be "it." The pain most of the characters endure and their efforts to suppress the pain of those memories depicts internal crisis in a profound and bittersweet way.
3. Forgiveness: A major theme in this text from beginning to end, by exploring forgiveness, Cashore also intimately explores the implications of failing to forgive others and oneself for transgressions and failings. Above all, the concept of forgiveness leading to new beginnings imparts in the novel a sense of refreshment.
Three Things I Disliked:
1. Delay: I expected, and was not disappointed, the tie-in with Fire and Graceling to be completed in Bitterblue. However, it took far too long for that tie-in to manifest and then when it did manifest, Cashsore deals with it almost cursorily. Perhaps exploring the budded relationship between Fire and Bitterblue is too much to ask without adding another sequel. (I also note this was one of my issues with Fire.)
2. Sudden eruption of awareness: It is difficult for me to believe that "all of a sudden" Bitterblue has an awakening to the myriad deceptions her closest advisers have perpetrated until she turns 18. This awareness that "something isn't right" develops over the course of the novel, but it's difficult for me to believe that an inquisitive, intelligent, articulate young woman would not have inklings of problems before she did.
3. Confusion surrounding antagonists' actions: It is incredibly implausible that Bitterblue's closest advisors who profess to love her despite their deceptions would attempt to have her murdered, not once, but several times. It is further implausible that when she confronts them and "lays down the law" literally and figuratively by commanding them not to do it again, they acquiesce. Really? The motivations seem terribly flimsy in this respect.
Overall, I remain intrigued by some of the original story elements of this triad of novels. The mind-rape Cashore narrates in these texts is a terribly and terrifying interesting focus for all three stories. Further, the concept of monsters and Gracelings is surprisingly human and rich, reminiscent of all of the gifts, talents, and mystery of the human condition. I recommend the Graceling trilogy for YA readers and would be interested in reading more of Cashore's stories in the future.
Source:
Cashore, Kristin. Bitterblue. New York: Dial Books, 2012. Print.
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